Killer Cook

This apron is my reaction to assigned female gender roles. It is my version of the tuxedo shirt, humorously worn by guys that prefer comfortable clothing over conforming to traditional norms. A feminine black, retro style apron was used to signify rebellion of traditional gender roles. The stenciling was inspired by the political graffiti artist Banksy.

 

Male Pedestrian

Many women I've spoke with have received unwanted attention while walking in public. Objectifying remarks and surveillance are common experiences. This installation explores the technique of using role reversal to provide the viewer with a new perspective on the issue. The woman from Female Sign has been replaced with a male who is receiving unwanted attention from stronger more aggressive sub-characters. How does the viewer feel about men who appear vulnerable and fiscally objectified?

Female Pedestrian

This installation was created  to tell my experience when objectified in public. I chose to use sewing as the medium to reclaim my identity as well as signify a lack of evolution in terms of flirtatious games. Cat calls are commonly justified as a compliment though often it is unwanted attention. Most women I know prefer "Good morning" over "I know what I'd like to do to that." "The text, inspired by Burgers' Ways of Seeing reads, "I just want to 'be,' not 'be seen as," "desirable, but not coveted," and "to be loved but not for my body."

Joy

This image was created as a reaction to consumer driven advertising. I wanted to get the idea out there that there was an "other ideal" where women can have wrinkles, be happy and unapologetically embrace their aging appearance.

 Joy at Art Miami 2011.

Joy at Cane Fest 2011.

Floor Mat

This installation was inspired by Judy Chicago and Miriam Shapiro's Woman House from the 1970's. The text repeatedly states "I didn't want to make a big deal." The concept stems from conversations that asked "At what point is it more important to take care of myself instead of others?" It was created in the shape of a breast, as a symbol of the ultimate form of self sacrifice.